I was born in rural Berkshire, very close to the banks of the River Thames, along one of its most beautiful stretches, known as the Goring Gap. I was always aware of the outstanding beauty of my surroundings and feel it contributed greatly to the person and painter I am today.

My father, John, was a very successful artist, and some of my earliest memories are of him in his studio. This was a fascinating place for a small boy, full of all sorts of objects and props, ingluding some rather grizzly pinned bats and stuffed birds as well as a hand reared buzzard, which he looked after. He was a great experimenter, using all sorts of materials, encompassing all sorts of subject matter. Sadly he died in 2003, but he will always be my greatest influence.

I was naturally always encouraged to draw and paint, not that I needed much encouragement, as I loved it so much. Drawing was the main outlet for my imagination; anything I found interesting would result in reams of pictures. Days out were always subject hunts. I would sit beside Dad, sketching the same scene.

As a teenager I became interested in photography, with painting taking a back seat for a while, though art was important for me at school, being the only thing I was truly good at, and noticed for. After leaving school I took a job with a small engineering company. Though I was still using my hands, it was not what I wanted to do, and evenings and weekends were spent developing my painting and photography.

The Westcountry has been important to me since a family holiday when I was eleven. It was so different to Berkshire, with the moors and of course...the sea. The only coast I knew prior to this was in Sussex, where my Grandmother lived. This was just pebbles and groins, so the rugged high cliffs and sandy beaches were a revelation, and have been my prime inspiration ever since. One of my sisters moved to Devon a couple of years later, so I was able to get know the region much better, in fact I found it hard to go back home at the end of a visit. In 1996 when my wife, Liz, and I were looking to buy our first house we decided it had to be the Westcountry, she was born here and I really didn't want to live anywhere else. We now live in Mid Devon.

The move to Devon gave me the opportunity to do something I had only dreamed of, becoming a full time artist. Liz found a great job with the National Trust and was happy for me to pursue my ambition. I could not have done it without her support. I now show work through a number of galleries and have had so far, sixteen exhibitions, both solo and mixed.

 

 

During the latter part of 2004 a strong desire for change resulted in a change of medium and technique. From highly detailed watercolours painted on a small scale to large vigorous oils.

Initially I began working with brushes, but found my desire to complete paintings quickly not entirely successful. I then started to use palette knives, and found these suited me far more. I found I could work in a more spontaneous manner, loading the knife with paint, dragging it over the surface, scraping off and reapplying and laying one colour over another without disturbing and mixing underlying layers.

Thick layers of paint can be shaped and textured with the knife, depending on its angle and the pressure applied, but it can also be used to create passages that are subtle and delicate.

I’m after an immediate response to the subject I’m trying to capture, and like to complete a painting in a single session. I find paintings that drag on, tend to lose something and are often less successful. It’s not uncommon for me to scrape off a days work, to start afresh, rather than pursue something I’m struggling with.

 

 

 

Mark Abdey | 95 Barrington Street · Tiverton · Devon · EX16 6QS | 01884 251396 | mark.lizabdey@btinternet.com